Al-Qaeda Win the Oscar for ‘Best Documentary Short’

By Daniel Margrain

Barry Jenkins receiving the award for Best Picture for Moonlight

It was hard to avoid the mix-up that occurred at the Oscar ceremony because it made the headlines on every major corporate news channel. Never mind the fact that human beings are dying of famine in Yemen or are being killed by bombs raining down on them supplied by BAE whose head is vice-chair of the BBC Trust. Never mind that four million other people are without water in Chile, or that current Arctic sea ice extent has reached a record 36th-time low for 2017 alone.

Never mind any of these things, just remember that what’s important is that Warren Beatty or whoever, messed up in front of a bunch of self-congratulatory narcissists. Many of these privileged people take almost every opportunity they can to bash a president who has stated publicly that he wants a good relationship with a country that has most effectively dealt a hammer blow to Salafist-inspired terrorists in Syria. Is it any wonder that Trump had no intention of showing up to the ceremony, particularly as he probably had insider knowledge as to who won the Oscar for the Best Documentary Short category? That particular accolade went to the Netflix-produced The White Helmets. The photographic evidence linking the White Helmets to the various Salafist terrorist groups in Syria is overwhelming.

Public relations

The nefarious agenda behind the White Helmets operation was initially exposed by brave independent journalists working inside Syria – Vanessa Beeley and Eva Bartlett – both of whom have written extensively on the White Helmets. What follows is a relatively brief synopsis for the benefit of numerous media commentators who are not yet up to speed on the issue. The White Helmets are essentially a public relations project who work in areas of Syria controlled by al-Qaida and their various offshoots. Their primary function is the production of propaganda that involves demonizing the Assad government, the aim of which is to encourage direct foreign military intervention into the country with a view to regime change.

Their strategy has involved writing a Washington Post editorial in addition to being very active on social media where they have a presence on Twitter and Facebook. According to their website, contact to the group is made by email through The Syria Campaign which underscores the relationship. Although the organization is highly publicized as civilian rescue workers in Syria, in reality they are a project that have been created by the UK and US governments.

Training of the White Helmets in Turkey has been overseen by former British military officer and current contractor, James Le Mesurier, and the promotion of their activities is undertaken by The Syria Campaign supported by the foundation of billionaire Ayman Asfari. Ubiquitous in the mainstream media’s coverage of the aftermath of bomb damage in Aleppo, have been the images of ‘volunteers’ of the White Helmets rescuing young children trapped in the rubble of buildings allegedly bombed by the Syrian government and its Russian ally forces.

Neutrality

The group, who have some 2,900 members and claim complete neutrality, are said to operate as first responder, search and rescue teams in areas outside of Syrian government control. They are portrayed in the Western media as selfless individuals who rush into the face of danger and feted as being saviours of humanity. Western journalists and human rights groups frequently cite unverified casualty figures and other uncorroborated claims from the White Helmets and therefore take at face value the organization’s self-proclaimed assertions they are an unarmed, impartial and independent NGO whose sources of funding are not derived from any of the conflicting parties in Syria.

The group have produced a slick website in which they push for a No Fly Zone (euphemism for regime change) in Syria. Their public relations campaigns include a short documentary film – which in reality amounts to a self-promotional advertisment – that was shown at a prestigious invitation-only Chatham House event in London. The group were subsequently nominated for the Nobel Peace Prize.

Funding

Funding for the White Helmets comes principally from the United States Agency for International Development (USAID) who have committed at least $23 million to the group since 2013. In addition, the organization have received £22m from the UK rising to a probable £32m and £7m from Germany. Other substantial funds come from Holland and Japan. Conservative estimates suggest that some $100m dollars in total have been donated to the group.

Essentially, the White Helmets are the most prominent manifestation of what is a highly sophisticated propaganda campaign by the UK government comprising a complex interwoven web that connects the various government departments, NGOs, opposition groups and activists with the corporate media who facilitate and amplify the propaganda in order to help achieve the ultimate objective of regime change in Syria.

High profile advertising campaigns and public relations exercises that involve the production of videos, photos, military reports, radio broadcasts, print products and social media posts, have unfortunately persuaded many well-meaning activists that the White Helmets are an independently funded bi-partisan humanitarian group, when in reality they are Salafist sectarian extremists who operate as a front for al- Qaida, ISIS and their various affiliates. Many of the fighting groups tied to the White Helmets are branded with the logos of fighting groups by contractors hired out by the Foreign Office and overseen by the Ministry of Defence (MoD). The evidence outlined by Dr Barbara McKenzie is compelling:

“The role played by the British Foreign Office and other government departments in the unremitting propaganda against the Syrian government is unquestionable. The British government is determinedly pursuing its policy of regime change in Syria, and sees gaining public acceptance of that policy through propaganda that demonises the Syrian government and glorifies the armed opposition as essential to achieving that goal.”

Given the extent to which the Foreign Office financially and logistically support the White Helmets in Syria, it was fitting that they congratulated them on their ‘success’ at the Oscars. As Dr Barbara McKenzie put it on Twitter, the Foreign Office were, in effect, congratulating themselves.

Saving Syria’s Children

The fake BBC documentary, Saving Syria’s Children, painstakingly critiqued by Robert Stuart, whose principle purpose was to attempt to persuade British parliamentarians to vote for military intervention, represents the apex of this propaganda process. But having failed in that objective, the propaganda effort was stepped-up. In the autumn of 2013, the UK government embarked on behind-the-scenes work to influence the course of the war by shaping perceptions of opposition fighters.

It was during this time that the media narrative began to shift. Where previously Islamist extremist beheaders were described as ‘Jihadists’ and ‘terrorists’ the more benign terms, ‘rebels’ and ‘Syrian opposition’ were preferred. Speaking on UK Column News (February 27, 2017), Vanessa Beeley, who was one of only a handful of independent investigative journalists on the ground in Syria, said this about the attempts to glorify the White Helmets exemplified by their Oscar ‘success’. I want to quote Beeley extensively because her impassioned plea was emotionally powerful and clearly sincere. What she had to say is of extreme importance:

“Terrorism gets given the red carpet treatment in Hollywood which demonstrates very clearly who we are dealing with. In fact, one positive that comes out of this, is that it fully exposes the elite cartel behind the attempt to dismember Syria. This cartel is essentially Zionism, along with Saudi extremist ideology funded, of course, by the US-UK deep state and supported by the illegal state of Israel, Turkey and various other nations in the region.

The intention is to whitewash terrorist atrocities that are being committed on a daily basis inside Syria and facilitated by the organization that has just been given one of the highest accolades that can be given in the film industry. So for that reason it is also extremely fitting that they are all effectively some of the best actors around at the moment.

The celebration of The White Helmets is tantamount to celebrating the use of children for war porn, the killing of more children in Syria, the support and celebration of the rape of Syrian women, the massacre of entire families, the ethnic cleansing of minorities, the kidnapping and abuse of children and the selling of them to paedophile rings, drug traffickers and pimps. In other words, the Oscars are basically celebrating every evil that has been created by our regimes.

We can no longer sit back and pretend that it’s happening somewhere else and we don’t have an obligation to take a stand against it. It’s time to stand up and be counted. It’s time to stop sitting on the fence. It’s not only about Syria, but about Yemen, Libya, Iraq and Ukraine – about every country that is being infested by this terrorist plague that is being created by our regimes. We are responsible for that and we need to start taking that responsibility seriously and to actually express that outrage.

If you are at a party where people are celebrating the Oscars – speak out! Because until your voices are heard, this is going to continue and these children in Syria – these orphans – are going to continue suffering. We are responsible for that, and that same plague is not that far off from being on our doorsteps. So we need to start making a stand – right now.”

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6 thoughts on “Al-Qaeda Win the Oscar for ‘Best Documentary Short’

  1. Thank you for writing this Daniel. I find it quite nauseating the amount of media time spent on the celebrity culture in general and not a word is spoken of the atrocities that are happening in Yemen.

    As for the Oscars well I can barely bring myself to type the word.

    There is a whole host of these self adulating charades where the luvvies pat each other on the back for doing their job which they are overpaid for anyway.

    Liked by 1 person

    1. I agree Tina. It’s deeply political. Why would Trump want to attend when these pro-war morons’ aim is to score cheap political points in order to boost their already inflated ego’s? Oh, and thanks for the nice comments.

      Like

  2. Brilliant journalism as per usual. Aren’t the Oscar voting panel all American men in their sixties who probably still think Hiroshima and Nagasaki was justified and who raise the flag before thinking to raise their standards.

    Liked by 1 person

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