Tag: robert stuart

Saving Syria’s Children: How the BBC are embedding their journalists with Jihadist groups in Syria

By Daniel Margrain

For many years I have been following Robert Stuart’s exhaustive and detailed exposition of the BBC Panorama documentary Saving Syria’s Children that highlighted the aftermath of an alleged incendiary bomb attack on the playground of the Urm al-Kubra school near Aleppo in Syria.

The BBC team comprising reporter, Ian Pannell and cameraman, Darren Conway (who coincidentally were inside Syria when the alleged attack happened), reported on, and filmed, the incoming casualties arriving at the Atareb hospital on 26 August 2013. The footage formed the basis of the documentary.

Staged

Stuart contends that the filmed sequences were largely, if not entirely, staged. Scenes from the documentary were shown as part of a brief BBC News at Ten broadcast report by Pannell and Conway which contained harrowing scenes of teenage boys and young men, their skin apparently in tatters, racing into what the report describes as “a basic hospital funded by handouts” to be treated for burns.

In one particularly disturbing scene a tableau of young men writhe, drool and groan, seemingly in great distress. What is particularly striking about the scene, are the actions of the central figure, Mohammed Asi, who looks directly into the camera for several moments before raising his arm, at which point the group around him instantly became animated before moaning in unison.

Other anomalies include:

  • Conflicting and contradictory claims.
  • A “victim” who appeared to be grinning.
  • Implausible demeanours of alleged victims.
  • Questionable authenticity of the alleged burns to victims by experienced doctors.
  • Apparent choreographed behaviour.
  • Unconvincing injuries.
  • Testimonies that challenge the BBC version of events.

All of the anomalies and contradictions highlighted call into question the authenticity of the entire alleged attack.

Doctors & weapons

Saving Syria’s Children also referenced to two British female doctors, Rola Hallam a ‘volunteer’ executive for the ‘charity’ Hand-in-Hand-for Syria (recently rebranded as Hand in Hand for Aid and Development) and (former?) BBC TV presenter, Saleyha Ahsan, an ex-captain in the British Army Medical Corps. The former’s father, Dr Mousa al-Kurdi, is a senior Syrian opposition member.

Atareb Hospital’s self-proclaimed, Medical Director, Abdulrahman Obied, was filmed alongside Dr Rola Hallam. In a blog article, Stuart showed that Abdulrahman’s younger brother, Iessa Obied, posted on Facebook numerous images of himself posing with an array of weapons.

All of this information was hidden from the public by the BBC.

Safe passage

More recently, Stuart has alleged, convincingly, that BBC licence fee money was used to ensure the safe passage of Pannell and Conway and that the film-makers were given protection by the ISIS-affiliated Salafist terror group, Ahrar al-Sham.

According to Stuart:

“The award-winning team of reporter Ian Pannell and cameraman Darren Conway OBE were embedded with jihadi group Ahrar al-Sham which, according to Human Rights Watch, had three weeks earlier worked alongside Islamic State (IS) and al-Qaeda affiliate Jabhat al-Nusra as one of the key fundraisers, organizers, planners, and executors of an attack in which at least 190 civilians were killed and over 200 were kidnapped.”

Furthermore, in the midst of the crisis, Stuart produced evidence that “Conway filmed, at close quarters, an ambulance plainly bearing the ISIS logo, along with its militarily attired and armed occupants.”

Concerns

This prompted Stuart to report  Pannell and Conway’s flagrant abuse of their positions as professional BBC journalists to the National Counter Terrorism Security Office on the grounds that:

“the named individuals apparently established a business relationship with members of a jihadi group with links to al-Qaeda and ISIS in Syria in August 2013.”

In a January 2018 blog piece, Stuart mooted the possibility of a connection between the alleged incendiary attack and the then incipient White Helmets. The researcher confirmed the veracity of this assertion in a follow-up article where he demonstrated that senior White Helmets members were present at Atareb Hospital on this date.

Stuart outlined the above issues to his constituency MP, Shadow Defense Secretary, Emily Thornberry, and opposition leader, Jeremy Corbyn but neither have addressed any of his legitimate concerns.

Sham

The researcher has also presented his findings in open public forums on numerous occasions and the BBC have been informed of an award-winning U.S online magazine’s description of Saving Syria’s Children as “a sham.”

Despite this, neither Stuart nor the said U.S online magazine, have been threatened by the BBC with any injunctions which would almost certainly have been the case had the allegations or claims been false.

The controversy that surrounds Saving Syria’s Children and the BBCs connections to Islamist terrorist groups, including the White Helmets, adds fuel to the fire of those independent researchers and journalists who posit that mainstream coverage of the current turmoil in Syria is emblematic of the corporate media’s systematic war propaganda against the Syrian government of Bashar-al-Assad.

It is clear that the BBC not only colluded in the production of false UK government propaganda intended to influence a vote in parliament to commit British troops to Syria in yet another illegal war, but that they did so by engaging in a sophisticated and well-planned series of events. This involved the active participation, not only of Islamist terrorists and their sympathizers, but the embedding of its journalists.

Conclusion

As the decline in traditional forms of media begins to take hold, the notion of the documentary as a sophisticated form of war propaganda, is increasingly being sold as a the new form of communication to the public. Indeed, Saving Syria’s Children must be seen in the context of the 2018 Oscar-nominated, emotionally charged propaganda documentary Last Men in Aleppo.

The willingness of the BBC to overtly fund and directly produce war propaganda would appear to be a first for the corporation. Their actions are not only inexcusable, but they have the potential to pose a serious risk to national security and to further undermine what little remains of the trust the public has in the corporation’s ability to report accurately and objectively on issues of national importance.

Robert Stuart contacted Jeremy Corbyn, requesting the need for a public investigation into Saving Syria’s Children. That time has now come.

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Masters of war: How the corporate media deceive the public

By Daniel Margrain

Mainstream <b>Media</b> <b>Lies</b> About Charleston, Guns & Racism With ...

In September, 2016, UK Foreign Secretary, Boris Johnson, effectively announced that the British government had channeled £2.3 billion in support of propaganda campaigns in Syria of which charities and NGOs like Hand in Hand, the Syria Campaign and the funding of terrorist mercenary forces, are an integral part.

It has been noted that the British Foreign and Commonwealth Office (FCO), working with the Ministry of Defence (MoD), the Home Office and the Prime Minister’s Office, formed contracts companies for the express purpose of creating ‘targeted information’.

The means by which this is achieved is through the production of videos, photos, military reports, radio broadcasts, print products and social media posts branded with the logos of fighting groups. One of the most prominent of the groups allegedly overseen by the MoD, are the White Helmets, who Johnson named, and whose members are affiliated to Islamist terrorist groups.

The corporate mainstream media are failing in their duty to reveal what the true foreign policy objectives of Johnson and his government are in Syria and the wider middle east region, nor have elite corporate journalists critically evaluated their own integration within the state apparatus.

By acting as echo chambers for Western imperial power, the role of the said journalists when reporting on foreign affairs is akin to stenography. Examples include the Telegraph’s reaction to the Houla massacre of May 25, 2012 which cast Syria into the ‘civil war’ and the widespread misrepresentation of the UN report into the Ghouta chemical attack of August 21, 2013.

Then there has been the rush to judgement by Guardian and New York Times journalists in relation to the alleged April 4, 2017 sarin attack in the Syrian town of Khan Seikhoun, and the media’s failure to follow-up on allegations made by investigative journalist, Seymour Hersh, that the CIA, with the support of M16, was responsible for ensuring the transportation of arms by Islamist groups from Libya to Syria.

The BBC Panorama documentary, Saving Syria’s Children, Channel 4 News, Up Close With the Rebels and the fake The Caesar Torture Photos story,  illustrate the extent to which the media has attempted to disorientate the public. These examples of ‘news’ functioning as propaganda in the service of power in relation to Syria, however, represent the tip of a huge iceberg.

Independent researcher and investigative journalist, Vanessa Beeley, has meticulously documented numerous occasions where the BBC and Channel 4 News have relied solely on unsubstantiated and biased Syrian opposition ‘rebel’ sources for its reports, and where dissenters of the official narrative have been smeared and abused by Guardian journalists simply for asking ‘difficult’ questions.

Moreover, the heavy reliance on what were clearly fake reports by al-Jazeera and CNN,  intended to sway public opinion in support of foreign intervention in Syria, adds fuel to the fire of those who accuse the elite media of being nothing more than conduits for  state power when it comes to their reporting of foreign affairs that involves the interests of the imperialist nations and their proxies.

Recent reports of protests throughout Iran, which investigative journalist Nafeez Ahmed stated were fomented by the U.S State Department, are the consequence of harsh U.S economic sanctions of the sort used against Iraq and Syria. But this kind of ’cause and effect’ analysis is totally absent from mainstream news reportage. In short, the inability of elite journalists to report critically on foreign affairs which have the potential to cast the empire in a bad light, is indicative of a democratic deficit.

This is reflected in the highly concentrated nature of media ownership. Writer Tom London points out that almost 48% of the combined print and online press is owned by just two billionaires – Rothermere and Murdoch – and 75.1% is owned by just six billionaires. These media barons have shared economic interests with the military and political establishment that perpetual war helps facilitate. The securing of these narrow interests are antithetical to the notion of a fair, free and open media.

Author Ed Jones points to other factors that are symptomatic of the lack of democracy at the heart of the media system. These include its domination by privately-educated white men, the politicisation of sources and the manipulation of the press by the intelligence services.

The billionaire media barons understand the importance, not only of spending huge amounts of money on advertising and public relations, but also of employing ‘liberal-left’ journalists whose apparent principal role is to function as ‘gate-keepers’ for established power. Indeed, what John Pilger referred to as “counterfeit journalism” in which “the surface of events is not disturbed”, is central to the ability of the media barons to engineer the public’s consent.

As Jones points out, it’s the billionaires who own the press that set the news agenda. The BBC, who are among the forefront of news agenda-setting media in the UK, play a particularly pernicious role in the propaganda process by amplifying it due to their reputation for alleged impartiality.

However, the central role of the British state broadcaster is to spread ‘British values’ to a global market in much the same way the U.S government spends hundreds of millions annually on outfits like RFE/RL in order to spread ‘American values’.

In other words, the default position of the British state broadcaster is their false sense of entitlement to report selectively on international affairs in order to protect perceived “British interests”. Thus, embedded journalism that ignores ‘our’ criminality is deemed to be acceptable based on the flawed premise that elected politicians serve the people, and that it is the task of the BBC to support, not undermine, democracy.

The founder of the BBC, Lord Reith, was more honest in his assessment of the structural bias of the media, the BBCs role within it, and its relationship to the elite political-media class: “[The establishment] know they can trust us not to be really impartial”, he said.

The recent willingness by the BBC to offer an uncritical platform to the head of the CIA is an example of the corporations dual function role as purveyor of state propaganda in which both Westminster and Washington benefit. Apparently, propaganda only becomes a “problem” when Russia’s state broadcaster, Russia Today (RT), are themselves accused of actively promoting it.

As historian Mark Curtis pointed out, the simple truth is elites do not believe the public has a right to know what is being done in their name. The questioning of prevailing narratives leads critics open to smears and abuse. In relation to Syria, Louis Allday posited that to express “even a mildly dissenting opinion … has seen many people ridiculed and attacked [by liberal-left journalists] … These attacks are rarely, if ever, reasoned critiques of opposing views”.

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Saving Syria’s Children: Was BBC license fee money used to support an Islamist terror group protection-racket?

By Daniel Margrain

  In Saving Syria’s Children the logo of Salafist terror group, Ahrar al-Sham, is visible on the front of one the vehicles in Pannell and Conway’s security convoy (Source: Robert Stuart).

For many years I have been following Robert Stuart’s exhaustive and detailed exposition of the possible fabrications behind the infamous BBC Panorama documentary ‘Saving Syria’s Children’. The documentary was made in response to the alleged dropping of an incendiary bomb containing a “napalm-type” substance on the playground of the Urm al-Kubra school near Aleppo.

The BBC team comprising reporter, Ian Pannell and cameraman, Darren Conway were inside Syria when the alleged attack happened. They reported on, and filmed, the incoming casualties arriving at the Atareb hospital on 26 August 2013. The footage formed the basis of the documentary.

Stuart contends that the filmed sequences were largely, if not entirely, staged. Scenes from the documentary were shown as part of a brief BBC News at Ten broadcast report by Pannell and Conway which contained harrowing scenes of teenage boys and young men, their skin apparently in tatters, racing into what the report describes as “a basic hospital funded by handouts” to be treated for burns. In one particularly disturbing scene a tableau of young men writhe, drool and groan, seemingly in great distress.

My first impression after having seen the film was that it was contrived and staffed by actors. What initially led me to this conclusion were the actions of the central figure, Mohammed Asi, who looked directly into the camera for several moments before raising his arm, at which point the group around him instantly became animated before moaning in unison.

Many other anomalies and contradictions too numerous to mention here in detail were evident throughout the Panorama documentary and the related reports. These included:

– Conflicting and contradictory accounts.

– A “victim” who appeared to be grinning.

– Implausible demeanours of alleged victims.

– Questions as to the authenticity of the alleged burns to victims by experienced doctors.

– Apparent choreographed behaviour.

– Unconvincing injuries.

– Testimonies that challenged the BBC version of events.

I attended Robert Stuart’s most recent public presentation of his findings in London which can be viewed here

Saving Syria’s Children made reference to two British female doctors, Rola Hallam a ‘volunteer’ for the ‘charity’ Hand-in-Hand-for Syria, and (former?) BBC TV presenter, Saleyha Ahsan.

Dr Rola’s father, Dr Mousa al-Kurdi, is a senior Syrian opposition member, while her on-site colleague, Dr Ahsan, is a former captain in the British Army Medical Corps. All of this information was hidden from the public by the BBC.

The British state broadcaster has not addressed any of the legitimate issues raised by Stuart. All of the anomalies and contradictions highlighted call into question the authenticity of the entire alleged attack.

The researcher has presented his findings in open public forums on numerous occasions and has not been threatened, legally, with any injunctions or forms of legal redress which would almost certainly have been the case had the allegations been false.

Most recently, Stuart has argued, convincingly, that Pannell and Conway were given protection by the ISIS-affiliated Salafist terror group, Ahrar al-Sham. On 22 November, 2017, Stuart reported the activities of Pannell and Conway – that amounted to colluding with executioners – to Britain’s National Counter Terrorism Security Office.

Not only is it shocking that the British public helped fund the production of anti-Syrian government propaganda in the form of Saving Syria’s Children, but that they also inadvertently helped support an Islamist terrorist protection racket to enable this to happen.

It appears to be increasingly clear that BBC licence fee money was used to allow the safe passage of Pannell and Conway to and from the location where Saving Syria’s Children was being filmed.

The actions of the BBC are not only inexcusable, but they have the potential to pose a serious risk to national security and to further undermine what little remains of the trust the public has in the national state broadcaster to report accurately and objectively on issues of national importance.

It is clear that the BBC not only colluded in the production of false UK government propaganda intended to influence a vote in parliament to commit British troops to Syria in yet another illegal war, but that they did so by engaging in a sophisticated and well-planned series of events that involved the active participation of Islamist terrorists and their sympathizers.

While the UK foreign office and high-ranking government ministers are eager to publicly condemn terrorist atrocities committed against UK citizens on British soil, what has not been widely acknowledged is the extent to which the British state is complicit in furthering the terrorists objectives in Syria. This has serious potential implications for all UK citizens in terms of helping to facilitate ‘blow-back’ on the streets of our towns and cities.

Evidence produced from independent journalists like Vanessa Beeley, Eva Bartlett and others who have exposed the nefarious activities of UK-funded ‘humanitarian’ organisations like the White Helmets and Hand in Hand, add to accusation that the role of the BBC is that of a propaganda conduit for UK imperial power in the countries these groups operate. After having studied Robert Stuart’s analysis in detail, it is difficult to arrive at any other conclusion.

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Al-Qaeda Win the Oscar for ‘Best Documentary Short’

By Daniel Margrain

Barry Jenkins receiving the award for Best Picture for Moonlight

It was hard to avoid the mix-up that occurred at the Oscar ceremony because it made the headlines on every major corporate news channel. Never mind the fact that human beings are dying of famine in Yemen or are being killed by bombs raining down on them supplied by BAE whose head is vice-chair of the BBC Trust. Never mind that four million other people are without water in Chile, or that current Arctic sea ice extent has reached a record 36th-time low for 2017 alone.

Never mind any of these things, just remember that what’s important is that Warren Beatty or whoever, messed up in front of a bunch of self-congratulatory narcissists. Many of these privileged people take almost every opportunity they can to bash a president who has stated publicly that he wants a good relationship with a country that has most effectively dealt a hammer blow to Salafist-inspired terrorists in Syria. Is it any wonder that Trump had no intention of showing up to the ceremony, particularly as he probably had insider knowledge as to who won the Oscar for the Best Documentary Short category? That particular accolade went to the Netflix-produced The White Helmets. The photographic evidence linking the White Helmets to the various Salafist terrorist groups in Syria is overwhelming.

Public relations

The nefarious agenda behind the White Helmets operation was initially exposed by brave independent journalists working inside Syria – Vanessa Beeley and Eva Bartlett – both of whom have written extensively on the White Helmets. What follows is a relatively brief synopsis for the benefit of numerous media commentators who are not yet up to speed on the issue. The White Helmets are essentially a public relations project who work in areas of Syria controlled by al-Qaida and their various offshoots. Their primary function is the production of propaganda that involves demonizing the Assad government, the aim of which is to encourage direct foreign military intervention into the country with a view to regime change.

Their strategy has involved writing a Washington Post editorial in addition to being very active on social media where they have a presence on Twitter and Facebook. According to their website, contact to the group is made by email through The Syria Campaign which underscores the relationship. Although the organization is highly publicized as civilian rescue workers in Syria, in reality they are a project that have been created by the UK and US governments.

Training of the White Helmets in Turkey has been overseen by former British military officer and current contractor, James Le Mesurier, and the promotion of their activities is undertaken by The Syria Campaign supported by the foundation of billionaire Ayman Asfari. Ubiquitous in the mainstream media’s coverage of the aftermath of bomb damage in Aleppo, have been the images of ‘volunteers’ of the White Helmets rescuing young children trapped in the rubble of buildings allegedly bombed by the Syrian government and its Russian ally forces.

Neutrality

The group, who have some 2,900 members and claim complete neutrality, are said to operate as first responder, search and rescue teams in areas outside of Syrian government control. They are portrayed in the Western media as selfless individuals who rush into the face of danger and feted as being saviours of humanity. Western journalists and human rights groups frequently cite unverified casualty figures and other uncorroborated claims from the White Helmets and therefore take at face value the organization’s self-proclaimed assertions they are an unarmed, impartial and independent NGO whose sources of funding are not derived from any of the conflicting parties in Syria.

The group have produced a slick website in which they push for a No Fly Zone (euphemism for regime change) in Syria. Their public relations campaigns include a short documentary film – which in reality amounts to a self-promotional advertisment – that was shown at a prestigious invitation-only Chatham House event in London. The group were subsequently nominated for the Nobel Peace Prize.

Funding

Funding for the White Helmets comes principally from the United States Agency for International Development (USAID) who have committed at least $23 million to the group since 2013. In addition, the organization have received £22m from the UK rising to a probable £32m and £7m from Germany. Other substantial funds come from Holland and Japan. Conservative estimates suggest that some $100m dollars in total have been donated to the group.

Essentially, the White Helmets are the most prominent manifestation of what is a highly sophisticated propaganda campaign by the UK government comprising a complex interwoven web that connects the various government departments, NGOs, opposition groups and activists with the corporate media who facilitate and amplify the propaganda in order to help achieve the ultimate objective of regime change in Syria.

High profile advertising campaigns and public relations exercises that involve the production of videos, photos, military reports, radio broadcasts, print products and social media posts, have unfortunately persuaded many well-meaning activists that the White Helmets are an independently funded bi-partisan humanitarian group, when in reality they are Salafist sectarian extremists who operate as a front for al- Qaida, ISIS and their various affiliates. Many of the fighting groups tied to the White Helmets are branded with the logos of fighting groups by contractors hired out by the Foreign Office and overseen by the Ministry of Defence (MoD). The evidence outlined by Dr Barbara McKenzie is compelling:

“The role played by the British Foreign Office and other government departments in the unremitting propaganda against the Syrian government is unquestionable. The British government is determinedly pursuing its policy of regime change in Syria, and sees gaining public acceptance of that policy through propaganda that demonises the Syrian government and glorifies the armed opposition as essential to achieving that goal.”

Given the extent to which the Foreign Office financially and logistically support the White Helmets in Syria, it was fitting that they congratulated them on their ‘success’ at the Oscars. As Dr Barbara McKenzie put it on Twitter, the Foreign Office were, in effect, congratulating themselves.

Saving Syria’s Children

The fake BBC documentary, Saving Syria’s Children, painstakingly critiqued by Robert Stuart, whose principle purpose was to attempt to persuade British parliamentarians to vote for military intervention, represents the apex of this propaganda process. But having failed in that objective, the propaganda effort was stepped-up. In the autumn of 2013, the UK government embarked on behind-the-scenes work to influence the course of the war by shaping perceptions of opposition fighters.

It was during this time that the media narrative began to shift. Where previously Islamist extremist beheaders were described as ‘Jihadists’ and ‘terrorists’ the more benign terms, ‘rebels’ and ‘Syrian opposition’ were preferred. Speaking on UK Column News (February 27, 2017), Vanessa Beeley, who was one of only a handful of independent investigative journalists on the ground in Syria, said this about the attempts to glorify the White Helmets exemplified by their Oscar ‘success’. I want to quote Beeley extensively because her impassioned plea was emotionally powerful and clearly sincere. What she had to say is of extreme importance:

“Terrorism gets given the red carpet treatment in Hollywood which demonstrates very clearly who we are dealing with. In fact, one positive that comes out of this, is that it fully exposes the elite cartel behind the attempt to dismember Syria. This cartel is essentially Zionism, along with Saudi extremist ideology funded, of course, by the US-UK deep state and supported by the illegal state of Israel, Turkey and various other nations in the region.

The intention is to whitewash terrorist atrocities that are being committed on a daily basis inside Syria and facilitated by the organization that has just been given one of the highest accolades that can be given in the film industry. So for that reason it is also extremely fitting that they are all effectively some of the best actors around at the moment.

The celebration of The White Helmets is tantamount to celebrating the use of children for war porn, the killing of more children in Syria, the support and celebration of the rape of Syrian women, the massacre of entire families, the ethnic cleansing of minorities, the kidnapping and abuse of children and the selling of them to paedophile rings, drug traffickers and pimps. In other words, the Oscars are basically celebrating every evil that has been created by our regimes.

We can no longer sit back and pretend that it’s happening somewhere else and we don’t have an obligation to take a stand against it. It’s time to stand up and be counted. It’s time to stop sitting on the fence. It’s not only about Syria, but about Yemen, Libya, Iraq and Ukraine – about every country that is being infested by this terrorist plague that is being created by our regimes. We are responsible for that and we need to start taking that responsibility seriously and to actually express that outrage.

If you are at a party where people are celebrating the Oscars – speak out! Because until your voices are heard, this is going to continue and these children in Syria – these orphans – are going to continue suffering. We are responsible for that, and that same plague is not that far off from being on our doorsteps. So we need to start making a stand – right now.”

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Who are the White Helmets & what is their role in Syria?

By Daniel Margrain

In my previous article, I highlighted how a strategy of Western fomented sectarian violence in Syria – through media lies and fabrications – is being used to create divisions and political instability, the objective of which is to justify ‘humanitarian intervention’ and eventual regime change in the country. It would appear that one of the key propaganda tools being utilized by the Western powers in order to achieve this objective is through an ostensibly humanitarian organization called the White Helmets.

Also known as ‘Syria Civil Defence’, the White Helmets were founded and trained under the supervision of ex-British military mercenary, James LeMesurier in Turkey in 2013. LeMesurier also has connections to organizations like Blackwater who are infamous for being death squad outreach assassins. Ubiquitous in the mainstream medias coverage of the aftermath of bomb damage in Aleppo, have been the images of ‘volunteers’ of the White Helmets rescuing young children trapped in the rubble of buildings allegedly bombed by the Syrian government and its Russian ally forces.

The group, who have some 2,900 members and claim complete neutrality, are said to operate as first responder, search and rescue teams in areas outside of Syrian government control. They are portrayed in the Western media as selfless individuals who rush into the face of danger and feted as being saviours of humanity. Western journalists and human rights groups frequently cite unverified casualty figures and other uncorroborated claims from the White Helmets and therefore take at face value the organization’s self-proclaimed assertions they are an unarmed, impartial and independent Non-Government Organization (NGO) whose sources of funding are not derived from any of the conflicting parties in Syria.

The group have produced a slick website in which they push for a No Fly Zone (euphemism for regime change) in Syria. In addition, their public relations campaigns include what is purported to be a short documentary film – which in reality amounts to a self-promotional advertisment – that was recently shown at a prestigious invitation-only Chatham House event in London. These factors would appear to belie the groups impartial and independent status.

Indeed, further investigations reveal that the White Helmets are anything but impartial and independent. As Max Blumenthal points out, the group was founded in collaboration with the United States Agency for International Development (USAID)’s Office of Transitional Initiatives, an explicitly political wing of the agency that has funded efforts at political subversion in Cuba and Venezuela. USAID is the White Helmets’ principal funder, committing at least $23 million to the group since 2013. This money was part of $339.6 million budgeted by USAID for “supporting activities that pursue a peaceful transition to a democratic and stable Syria” – or establishing a parallel governing structure that could fill the power vacuum once Bashar Al-Assad was removed.

In addition, the White Helmets have received £22m from the UK rising to a probable £32m and £7m from Germany. Other substantial funds come from Holland and Japan. Conservative estimates suggest that some $100m dollars in total have been donated to the group.

 

Photographs of the White Helmets on the ground would appear to point to their involvement in acts of terrorist violence that need explaining. Blogger, Robert Stuart, inquired, “What explanations can there be for the preponderance of highly disturbing images and videos of White Helmets such as those below?”

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Stuart continues:

“Other instances depict uniformed White Helmets carrying weapons, attending the murder of a young man, giving the victory sign over a pile of dead Syrian soldiers and boasting about throwing the corpses of Syrian forces members “in the trash”.

Real Syria Civil Defence

Sixty years prior to the formation of the terrorist-enabler’s in Turkey, the real Syria Civil Defence Organization (SCDO) was established. Vanessa Beeley notes, this original Syria Civil Defence Organization work in both opposition and government held areas, unlike the White Helmets who operate solely in the former. The original ‘real’ SCDO is also recognized by the International Civil Defence Organization (ICDO) of which it was a founder member in 1972. Third, the ICDO is affiliated to the UN, WHO and the Red Cross among others. In other words, unlike the White Helmets, the SCDO is a fully certified and legitimate civil defence organization.

So why, one may ask, are the tens of millions that fund a fake civil defence organization not going to the SCDO who rescue people on a daily basis with no recognition from the Western media? Not only are they not gaining any external recognition, but not a single Western corporate media outlet has gone to visit the real SCDO to report on their activities in over five years of war.

One of the few people to have bucked this trend is British independent journalist, Vanessa Beeley who interviewed the group at their HQ in Damascus shortly before leaving the country last week. According to Beeley, the White Helmets are being used by the West to facilitate the eradication of the Syrian state institution, the real SCDO. Beeley says when the terrorists invaded in 2012 their aim was to usurp the real SCDO who presumably then went on to join forces with their newly formed White Helmet counterparts in Turkey at a later date.

Beeley goes on to say that crew members of the real SCDO in west Aleppo were threatened by the terrorists to help set up the White Helmets faction in Syria. The terrorists, under the guise of the White Helmets, proceeded to “steal SCDO ambulances as well as murdering real SCDO members and kidnapping others”, she said. Beeley continued, “These events were repeated throughout Syria.”

It’s clear then, that if Beeley’s account is to be believed, the White Helmets are at the very least a terrorist support group whose ultimate objective is the overthrow of the Assad government which ties in with the Wests regime change narrative. If, on the other hand, the Western government and corporate media meme that supports the claim that the group are volunteers, as opposed to terrorists or their facilitators is true, it begs the question as to where the estimated $100m donated to them has gone and what it is being used for?

Arms trade front

Concomitant to Beeley’s next assertion is where the answer to this apparent conundrum is likely to be found. Beeley claims that the White Helmets are “a front for the funding of the arms trade.” This claim would tend to augment her broader thesis given that these are the kinds of activities a terrorist group would benefit from. Given the White Helmets are principally a group allegedly trained in Turkey under the auspices of LeMesurier, and they arrive in Syria from that country in trucks, it would be reasonable to assume that their narrative of ‘humanitarianism’ provides a perfect foil for their activities and therefore acts as a conduit to the terrorist held areas through which weapons and equipment can be funneled.

With LeMesurier acting as the alleged kingpin in an operation that has its handle on at least tens of millions of dollars, it’s clear that the White Helmets are far from the kind of indigenous grass roots impartial humanitarian-based NGO depicted in the Western media. Rather, they are a huge organization more typical of a medium sized multinational company.

The public can expect that the media profile of the terrorist-enablers will be amplified exponentially in the coming weeks and months in view of the fact that the Syrian Arab Army and their allies are advancing through eastern Aleppo where they are “routing the US-NATO backed terrorists” that are occupying the area.

Since the 2012 invasion, 600,000 Syrian civilians have fled from eastern Aleppo to the western part of the city. According to the Aleppo Medical Association, around 200,000 currently remain in the terrorist-held east of the city. Approximately 25,000 of the 200,000 are terrorists and their families. The remaining 175,000 are effectively being held as human shields.

Exposing Western propaganda

The fact that 600,000 have escaped into government- controlled western Aleppo counters the US-UK media narrative that says Assad is targeting his own people. Why, in other words, would people under these circumstances go from ‘liberated’ eastern Aleppo into the realm of a ‘murderous tyrant’ in the west of the city? Ninety per cent of internally displaced people driven out of their towns and villages by terrorists – whether described as ‘rebels’, ‘moderates’ or the ‘opposition’ – have gone into government held areas for protection. Seven million Syrian civilians have fled to these areas.

There are three main hospitals in eastern Aleppo and all are occupied by the terrorists who are using the top floors of these hospitals as sniper towers. The Al-Quds hospital which according to mainstream media reports was destroyed in April has been ‘miraculously’ rebuilt in the last few months and is now once again being used as part of the propaganda offensive against the Assad government. The French media claimed the Assad government bombed two hospitals in Aleppo but used images from Gaza.

Meanwhile, the independent journalist, Eva Bartlett, claims “Aleppo currently has over 4,160 registered doctors but the corporate media and even some social media sites reproduce propaganda reports that refer to ‘the last doctor in Aleppo'”. US Colonel Steve Warren said, “It’s primarily al-Nusra [Al-Qaida] who holds [eastern] Aleppo”. This would imply that the US wants to protect an area that its own government says is occupied and under siege by Al-Qaida terrorists. As Bartlett puts it, in terms of the media, “there is no consistency, even in their lies.”

Censorship by omission

While the media has been amplifying the propaganda provided to them by the terrorist factions inside eastern Aleppo, as exemplified, for example, by their reporting of the September 18 attack on the aid convoy organized by the Syrian Arab Red Crescent (SARC) and United Nations Office for the Coordination of Humanitarian Affairs, mortars were being reined down on civilians in western Aleppo. Meanwhile, Bulgarian Grad missiles have been fired into the north of the city by Western-backed terrorists.

The media reported the attack on the aid convoy because the White Helmets, their Western government terrorist allies, implicated the Assad government and/or the Russian’s with the attack. However, neither the terrorist attacks in either the west nor the north of Aleppo outlined above, were mentioned in the media.

The dirty propaganda war on Syria is to a large extent underpinned by the kind of media censorship by omission described. But it is also being underpinned by the media’s uncritical glorification of the White Helmets which is why we appear to be witnessing this incredible rush among the media to embellish them with credibility.

The public ought to be concerned about what kind of a tool this organization will be in the hands of whoever will end up taking hold of the next US presidential reigns. But whether it’s Clinton or Trump at the helm, the objective of illegal regime change is already too far down the road for the U.S government with its loyal British servant at its side to change course. This ought not come as any surprise to students of international relations.

Historical pattern

As the historian Mark Curtis acknowledges, the use of terrorists by British governments to initiate illegal regime change follows an historical pattern. “British governments, both Labour and Conservative”, he says, in ‘Secret Affairs: Britain’s Collusion with Radical Islam’, “have, in pursuing the so-called ‘national interest abroad, colluded for decades with radical Islamic forces, including terrorist organisations. They have connived with them, worked alongside them and sometimes trained and financed them, in order to promote specific foreign policy objectives.”

In terms of Syria, it is the White Helmets who will continue to assist the imperial powers in achieving their foreign policy objectives of illegal regime change in the country. Encouragingly, the Wests terrorist-enablers, missed out on being rewarded with the Nobel Peace Prize that they had been nominated for. If they had won, not only would it have been an illustration of a world descending into ever greater madness than is hitherto the case, but it would also have given the terrorist group the legitimacy they crave in the eyes of the world.

 

 

The Real Syria Story

By Daniel Margrain

Image

Roth, and by extension Human Rights Watch, further discredits whatever vestiges of impartiality he and HRW might have had with inane tweets such as “Douma market killings show how Assad chooses to fight this war: deliberately against civilians,” (@KenRoth, Aug 16), an obviously biased, and utterly unsubstantiated allegation. Roth could have absolutely no knowledge of either the identities of the dead, or the Syrian government’s motives, when he released the tweet the same day as the attack. He reveals himself here to be little more than a lackey for imperialism, a war hawk masquerading as a human rights defender.” [citation from: The Douma Market Attack: a Fabricated Pretext for Intervention?]

Hand in Hand for Syria:

The UK Charity Commission’s website states that Hand in Hand for Syria exists for “the advancement of health or saving lives”.  Until July 2014 the Facebook banner of Hand in Hand’s co-founder and chairman Faddy Sahloul read “WE WILL BRING ASSAD TO JUSTICE; NO MATTER WHAT LIVES IT TAKES, NO MATTER HOW MUCH CATASTROPHE IT MAKES”.  The image was removed shortly after it was commented on publicly. Also on Hand in Hand’s executive team is Dr Rola Hallam, one of the two medics featured in ‘Saving Syria’s Children’.

On 30 August 2013, the day after the BBC’s initial report on the alleged Aleppo incendiary bomb attack, Dr Hallam appeared on BBC’s Newsnight programme expressing her profound disappointment at parliament’s rejection of a military strike against Syria. Dr Hallam’s father is Dr. Mousa al-Kurdi.  According to a 2013 article by Dr Saleyha Ahsan – the other Hand in Hand for Syria volunteer medic featured in ‘Saving Syria’s Children’ – Dr al-Kurdi is “involved politically with the Syrian National Council”.” [citation from: UK Charity Which Shares Syrian Opposition “Aims and Objectives” Benefits from Alan Kurdi Tragedy]

“The Syria Campaign”:

The Syria Campaign, begun in spring 2014, is managed by Anna Nolan, who grew up in northern Ireland and has very likely never been to Syria. In addition to promoting the White Helmets,  Syria Campaign promotes a new social media campaign called “Planet Syria”. It features emotional pleas for the world to take notice of Syria in another thinly veiled effort pushing for foreign intervention and war. According to their website, The Syria Campaign received start-up funding from the foundation of Ayman Asfari, a billionaire who made his money in the oil and gas services industry. …One of their first efforts was to work to prevent publicity and information about the Syrian Presidential Election of June 2014.

Accordingly, “The Syria Campaign” pressured Facebook to remove advertisements or publicity about the Syrian election.  Since then Syria Campaign has engineered huge media exposure and mythology about their baby, the “White Helmets” using all sorts of social and traditional media. The campaigns are largely fact free. For example, the Syrian election was dismissed out of hand by them and John Kerry but taken seriously by many millions of Syrians.” [citation from: Seven Steps of Highly Effective Manipulators White Helmets, Avaaz, Nicholas Kristof and Syria No Fly Zone]

White Helmets/”Syrian Civil Defence

This organization is highly publicized as civilian rescue workers in Syria but in reality is a project created by the UK and USA. Training of civilians in Turkey has been overseen by former British military officer and current contractor, James Le Mesurier. Promotion of the programme is done by “The Syria Campaign”supported by the foundation of billionaire Ayman Asfari. The White Helmets is clearly a public relations project…who work in areas of Aleppo and Idlib controlled by Nusra (al-Qaida). White Helmets primary function is propaganda. Their role is to demonize the Assad government and encourages direct foreign intervention.

A White Helmet leader wrote a Washington Post editorial and are also very active on social media with presence on Twitter, Facebook etc.  According to their website, contact to the group is made by email through The Syria Campaign which underscores the relationship. [citations from: About Those Chlorine Gas Attacks in SyriaSeven Steps of Highly Effective Manipulators White Helmets, Avaaz, Nicholas Kristof and Syria No Fly Zone]. Also see: Who are the White Helmets and what is their role in Syria?

Mayday Rescue 

At the present time Mayday’s sole responsibility appears to be management of the ‘Syrian Civil Defense’ or White Helmets, a supposed first responder organisation staffed by ordinary Syrians, which are in fact an extension of the terrorist groups in Aleppo and Idlib. Their function is to cooperate with the Aleppo Media Center (AMC) in the production of material which shows the White Helmets both as heroes and legitimate authorities on the Syrian conflict on the ground, and the Syrian and Russian governments as war criminals, deliberately targeting hospitals, schools, bakeries, animal shelters etc.

To that end, Mayday is generously funded by the UK, US and other governments, with offices in Amsterdam, Turkey, Jordan and Dubai. As at March 2016 its operational headquarters in Istanbul employs 30 staff, located in the operational centres of Istanbul, South-East Turkey, and has an annual operating budget of US$35,000,000.

Founder James le Mesurier, according to Mayday, “has spent 20 years working in fragile states as a United Nations staff member, a consultant for private companies and the UK Foreign and Commonwealth Office, and as a British Army Officer…Since 2012, James has been working on the Syria crisis where he started the Syrian White Helmets programme in March 2013. In 2014, he founded Mayday Rescue.” (Citation: Barbara McKenzie).

Incostrat

Incostrat was founded by Paul Tilley, who has a similar background to le Mesurier, with experience of both the army and the Foreign Office. His CV on LinkedIn reveals the following:

“2011-12 Director of Strategic Communication (STRATCOM) in the Ministry of Defence for the Middle East and North Africa.
2012-current. Developed and Project managed several multi-million dollar media and communications projects that are at the leading edge of UK and US foreign and security policy objectives in the Middle East.”

Both Incostrat and Mayday Rescue were formally founded in November 2014, according to the LinkedIn profiles of their respective founders, but le Mesurier and Tilley were doing development work 2013 or earlier. The White Helmets first officially appeared on the scene in April 2014, when the BBC assisted in the launching of the brand by producing a documentary on ‘Civil Defence’ in Aleppo, which coincided with the White Helmets appearance on social media.

Incostrat is described by Thierry Meyssen as “a communications company in the service of the jihadist groups. It designed logos, made video clips by portable telephone, and printed brochures for a hundred of these groups, thus giving the impression of a popular uprising against the Republic.”

Meyssen continues:

“Together with the SAS, [Incostrat] made a spectacle of the most important group, Jaysh al-Islam (Army of Islam). Saudi Arabia supplied the tanks which were delivered from Jordan. Uniforms were made in Spain and distributed to the jihadists for an officer promotion ceremony. All this was choreographed and filmed by professionals in order to give the impression that the army was organised like regular forces and was capable of rivaling with the Syrian Arab Army. The idea was planted that this really was a civil war, and yet the images only showed a few hundred extras, most of whom were foreigners.”(Citation: Barbara McKenzie).

The Syrian Observatory for Human Rights

Founded in 2011, SOHR is a UK-based organisation that provides information on the Syrian conflicts to the world’s media. The “Observatory” is run from a terraced house in Coventry, England by Rami Abdulrahman, a three-term convicted criminal in Syria who left that country more than 10 years before the war started, and is openly opposed to the Syrian government.

The Observatory is almost certainly the brainchild of the Foreign Office:

“His funding comes from the European Union and “an unnamed European state,” most likely the UK as he has direct access to former Foreign Minister William Hague, who he has been documented meeting in person on multiple occasions at the Foreign and Commonwealth Office in London. […] it was the British government that first relocated Abdul Rahman to Coventry, England after he fled Syria over a decade ago because of his anti-government activities.” Beau Christensen, Propaganda spin cycle: ‘Syrian Observatory for Human Rights’ is funded by US and UK governments

Although the Observatory is manifestly biased, only showing the conflict from the perspective of the insurgents, and consistently showing the Syrian government in a bad light, the information provided is considered by the corporate media, the United Nations and trusted non-government organisations to be authoritative, and is widely quoted.

Clearly for real journalists, Abdulrahman is a useless, utterly compromised source of information who has every reason to twist reality to suit his admittedly politically-motivated agenda of overthrowing the Syrian government. However, for a propagandist, he is a goldmine. That is why despite the overt conflict of interests, the lack of credibility, the obvious disadvantage of being nearly 3,000 miles away from the alleged subject of his “observations,” the Western media still eagerly laps up his constant torrent of disinformation. (Tony Cartalucci, West’s Syrian Narrative Based on “Guy in British Apartment”) (Citation: Barbara McKenzie).

Media consolidation

Integrated within the almost seamless relationship that exists between the executive of government and the kinds of players outlined above, is an increasingly consolidated corporate media who share with the military and political establishments’ mutual economic interests which war helps facilitate. As author Ed Jones points out, it’s the billionaires who own the press that set the agenda:

“Who owns the media shapes what stories are covered and how they are written about”, he said, adding that, “the UK media has a very concentrated ownership structure, with six billionaires owning and/or having a majority of voting shares in most of the national newspapers.”

Is the BBCs Ian Pannell complicit in crude anti-Syrian propaganda?

By Daniel Margrain

This is Ian Pannell’s latest BBC report on Syrian chemical weapon use (September 10) allegedly by the Syrian government. Apparently this is yet more evidence of chemical attacks.

I want to declare from the outset that I am not a conspiracy theorist. That’s not to say, historically, there have not been genuine conspiracies’ undertaken by the state against adversaries that have served the political agendas of their protagonists.These have come in many guises from false flag attacks such as the Russian apartment bombings in 1999, the Gulf of Tonkin incident in 1964 and the nurse Nayirah affair in 1990.

After having studied the contents of Robert Stuart’s blog in which he has meticulously and tenaciously examined the September 30, 2013 edition of the BBC Panorama documentary, ‘Saving Syria’s Children’ and other related BBC news reports by presenter Ian Pannell and cameraman Darren Conway, Stuart has attempted, without much success, to negotiate around its Orwellian complaints procedure.

Pannell’s reports’ appeared peak time on BBC TV a few days after the attack in Ghouta and were seemingly intended as a propaganda tool in the prelude to war. After having studied Pannell’s work and Stuart’s detailed analysis, it’s impossible to disagree with journalist Jonathan Cook who said that we, the news consumers, “are being constantly spun by the media machine that’s the modern equivalent of “soma”, the drug in Aldous Huxley’s Brave New World that its citizens were fed to keep them docile and happy.” 

What the Panorama documentary and related reports actually illustrate, in line with Chomsky and Herman’s Propaganda Model, is the media’s apparent ability to be able to keep many of us in a state of perpetual hypnosis. Stuart contends that sequences filmed by BBC staff and others at Atareb Hospital, Aleppo on 26 August 2013 purporting to show the aftermath of an incendiary bomb attack on a school in Urm Al-Kubra are largely, if not entirely, staged.

Scenes from the documentary were shown as part of a brief BBC News at Ten broadcast report by Pannell and Conway which contained harrowing scenes of teenage boys and young men, their skin apparently in tatters, racing into what the report describes as “a basic hospital funded by handouts” to be treated for burns. In one particularly disturbing scene a tableau of young men writhe, drool and groan, seemingly in great distress.

My first impression after having seen the film was that it was totally contrived and staffed by actors. What initially led me to this conclusion were the actions of the central figure, Mohammed Asi, who looked directly into the camera for several moments before raising his arm, at which point the group around him instantly became animated before moaning in unison.

Many other anomalies and contradictions too numerous to mention here in detail were evident throughout the Panorama documentary and the related reports’. These included conflicting and contradictory accounts, a “victim” who appeared to be grinning, implausible demeanours’ of alleged victims, questions as to the authenticity of the alleged burns to victims by experienced doctors, apparent choreographed behaviour, unconvincing injuries and testimonies’ that challenge the BBC version of events.

But perhaps the most controversial aspect of all was the participation of Dr. Rola Hallam who appeared anonymously to report on the aftermath of another attack in Syria. Her emotional call for humanitarian intervention in the shape of bombs drew parallels with “Nurse Nayirah“‘s lies to the Congressional Human Rights Caucus in the run up to the US vote on the 1990-91 Gulf War.

But arguably most significantly of all, in a report headlined BBC Crew returns to Aleppo on 30 September 2013, rehashed footage from the original programme was aired again. The BBC explains “In a special edition, Panorama travels with British doctors inside Syria to exclusively reveal the devastating impact of the war on children caught in the conflict”  It is a heart-rending report of the suffering of the Syrian people, made so as to demonise the Syrian government.

Close inspection of the two different versions reveals that there were actually two or more takes of this scene.  The easiest tell is the arm position of the man in the fluorescent jacket next to the doctor.

If Dr Rola was as “overwhelmed” as the video claims, why take time off to do multiple almost identical takes of an interview?

The BBC portrayed this as a live action piece with casualties being rushed in. But clearly this is nonsense given that it must of been rehearsed because several takes were done. Furthermore, nobody else in the courtyard is wearing a face mask. One would have thought that if the doctor had time for various takes she would also have time to take her mask off to talk to camera.

Both Panorama programmes talk of two British female doctors, “volunteers for the Charity Hand-in-Hand-for Syria“, suspected to be Dr Rola Hallam and Dr Saleyha Ahsan. The BBC did not mention the backgrounds of either of the “charitable volunteers”. Dr Rola’s connections to the SNO and FSA and the fact that she was shilling for military action under medical/charitable/ altruistic volunteer credentials, all of which the BBC clearly understood but deliberately witheld from the viewer.

Her father is Dr Mousa al-Kurdi, a senior SNO member – who actually taught Assad at university; the Dep leader of the FSA is Col Malik al-Kurdi. Her on-site colleague is a former Captain in the British Army Medical Corps. There is plenty of other clear corroborating evidence of her support for the rebellion too.

All of it was hidden by the BBC who gave the impression she is just an ordinary doctor with selfless humanitarian concerns and plays to the Western interventionist agenda perfectly.

The BBC has not addressed any of the legitimate issues raised. All of the anomalies and contradictions call into question the authenticity of the entire alleged attack. George Galloway said:

The Bush-Blair Corporation as it became known leading up to the Iraq war has lost almost all journalistic integrity. A full inquiry must be launched into why the BBC used a piece of material that was not just wrong but was falsified…for the purpose of propelling our country into war. That’s not what the British public pays its TV license for so that it can be tricked into a war

It’s my view that it’s probable some kind of chemical attack did indeed take place but in a different location to the one depicted but the BBC embellished, fabricated and falsified the aftermath for propaganda purposes. The claims made throughout were that the Assad regime was responsible for the alleged attack despite the fact that there is no evidence supporting the assertion that he was responsible for the chemical attacks in Ghouta in the suburbs of Damascus on September 16 prior to the BBC documentary.

What both Pannell’s latest BBC report and Jonathan Rugman’s recent piece for Channel 4 News before that highlight, is that once again, the British public is being conditioned for war. Two years ago, when the majority of MPs voted against intervention in Syria, would seem to suggest that MPs were sensitive to the views of a highly sceptical and hostile public. But Cameron’s cynical exploitation of the little boy found washed up dead on a Turkish beach, might change all that.