Tag: Darren Conway

Saving Syria’s Children: How the BBC are embedding their journalists with Jihadist groups in Syria

By Daniel Margrain

For many years I have been following Robert Stuart’s exhaustive and detailed exposition of the BBC Panorama documentary Saving Syria’s Children that highlighted the aftermath of an alleged incendiary bomb attack on the playground of the Urm al-Kubra school near Aleppo in Syria.

The BBC team comprising reporter, Ian Pannell and cameraman, Darren Conway (who coincidentally were inside Syria when the alleged attack happened), reported on, and filmed, the incoming casualties arriving at the Atareb hospital on 26 August 2013. The footage formed the basis of the documentary.

Staged

Stuart contends that the filmed sequences were largely, if not entirely, staged. Scenes from the documentary were shown as part of a brief BBC News at Ten broadcast report by Pannell and Conway which contained harrowing scenes of teenage boys and young men, their skin apparently in tatters, racing into what the report describes as “a basic hospital funded by handouts” to be treated for burns.

In one particularly disturbing scene a tableau of young men writhe, drool and groan, seemingly in great distress. What is particularly striking about the scene, are the actions of the central figure, Mohammed Asi, who looks directly into the camera for several moments before raising his arm, at which point the group around him instantly became animated before moaning in unison.

Other anomalies include:

  • Conflicting and contradictory claims.
  • A “victim” who appeared to be grinning.
  • Implausible demeanours of alleged victims.
  • Questionable authenticity of the alleged burns to victims by experienced doctors.
  • Apparent choreographed behaviour.
  • Unconvincing injuries.
  • Testimonies that challenge the BBC version of events.

All of the anomalies and contradictions highlighted call into question the authenticity of the entire alleged attack.

Doctors & weapons

Saving Syria’s Children also referenced to two British female doctors, Rola Hallam a ‘volunteer’ executive for the ‘charity’ Hand-in-Hand-for Syria (recently rebranded as Hand in Hand for Aid and Development) and (former?) BBC TV presenter, Saleyha Ahsan, an ex-captain in the British Army Medical Corps. The former’s father, Dr Mousa al-Kurdi, is a senior Syrian opposition member.

Atareb Hospital’s self-proclaimed, Medical Director, Abdulrahman Obied, was filmed alongside Dr Rola Hallam. In a blog article, Stuart showed that Abdulrahman’s younger brother, Iessa Obied, posted on Facebook numerous images of himself posing with an array of weapons.

All of this information was hidden from the public by the BBC.

Safe passage

More recently, Stuart has alleged, convincingly, that BBC licence fee money was used to ensure the safe passage of Pannell and Conway and that the film-makers were given protection by the ISIS-affiliated Salafist terror group, Ahrar al-Sham.

According to Stuart:

“The award-winning team of reporter Ian Pannell and cameraman Darren Conway OBE were embedded with jihadi group Ahrar al-Sham which, according to Human Rights Watch, had three weeks earlier worked alongside Islamic State (IS) and al-Qaeda affiliate Jabhat al-Nusra as one of the key fundraisers, organizers, planners, and executors of an attack in which at least 190 civilians were killed and over 200 were kidnapped.”

Furthermore, in the midst of the crisis, Stuart produced evidence that “Conway filmed, at close quarters, an ambulance plainly bearing the ISIS logo, along with its militarily attired and armed occupants.”

Concerns

This prompted Stuart to report  Pannell and Conway’s flagrant abuse of their positions as professional BBC journalists to the National Counter Terrorism Security Office on the grounds that:

“the named individuals apparently established a business relationship with members of a jihadi group with links to al-Qaeda and ISIS in Syria in August 2013.”

In a January 2018 blog piece, Stuart mooted the possibility of a connection between the alleged incendiary attack and the then incipient White Helmets. The researcher confirmed the veracity of this assertion in a follow-up article where he demonstrated that senior White Helmets members were present at Atareb Hospital on this date.

Stuart outlined the above issues to his constituency MP, Shadow Defense Secretary, Emily Thornberry, and opposition leader, Jeremy Corbyn but neither have addressed any of his legitimate concerns.

Sham

The researcher has also presented his findings in open public forums on numerous occasions and the BBC have been informed of an award-winning U.S online magazine’s description of Saving Syria’s Children as “a sham.”

Despite this, neither Stuart nor the said U.S online magazine, have been threatened by the BBC with any injunctions which would almost certainly have been the case had the allegations or claims been false.

The controversy that surrounds Saving Syria’s Children and the BBCs connections to Islamist terrorist groups, including the White Helmets, adds fuel to the fire of those independent researchers and journalists who posit that mainstream coverage of the current turmoil in Syria is emblematic of the corporate media’s systematic war propaganda against the Syrian government of Bashar-al-Assad.

It is clear that the BBC not only colluded in the production of false UK government propaganda intended to influence a vote in parliament to commit British troops to Syria in yet another illegal war, but that they did so by engaging in a sophisticated and well-planned series of events. This involved the active participation, not only of Islamist terrorists and their sympathizers, but the embedding of its journalists.

Conclusion

As the decline in traditional forms of media begins to take hold, the notion of the documentary as a sophisticated form of war propaganda, is increasingly being sold as a the new form of communication to the public. Indeed, Saving Syria’s Children must be seen in the context of the 2018 Oscar-nominated, emotionally charged propaganda documentary Last Men in Aleppo.

The willingness of the BBC to overtly fund and directly produce war propaganda would appear to be a first for the corporation. Their actions are not only inexcusable, but they have the potential to pose a serious risk to national security and to further undermine what little remains of the trust the public has in the corporation’s ability to report accurately and objectively on issues of national importance.

Robert Stuart contacted Jeremy Corbyn, requesting the need for a public investigation into Saving Syria’s Children. That time has now come.

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Saving Syria’s Children: Was BBC license fee money used to support an Islamist terror group protection-racket?

By Daniel Margrain

  In Saving Syria’s Children the logo of Salafist terror group, Ahrar al-Sham, is visible on the front of one the vehicles in Pannell and Conway’s security convoy (Source: Robert Stuart).

For many years I have been following Robert Stuart’s exhaustive and detailed exposition of the possible fabrications behind the infamous BBC Panorama documentary ‘Saving Syria’s Children’. The documentary was made in response to the alleged dropping of an incendiary bomb containing a “napalm-type” substance on the playground of the Urm al-Kubra school near Aleppo.

The BBC team comprising reporter, Ian Pannell and cameraman, Darren Conway were inside Syria when the alleged attack happened. They reported on, and filmed, the incoming casualties arriving at the Atareb hospital on 26 August 2013. The footage formed the basis of the documentary.

Stuart contends that the filmed sequences were largely, if not entirely, staged. Scenes from the documentary were shown as part of a brief BBC News at Ten broadcast report by Pannell and Conway which contained harrowing scenes of teenage boys and young men, their skin apparently in tatters, racing into what the report describes as “a basic hospital funded by handouts” to be treated for burns. In one particularly disturbing scene a tableau of young men writhe, drool and groan, seemingly in great distress.

My first impression after having seen the film was that it was contrived and staffed by actors. What initially led me to this conclusion were the actions of the central figure, Mohammed Asi, who looked directly into the camera for several moments before raising his arm, at which point the group around him instantly became animated before moaning in unison.

Many other anomalies and contradictions too numerous to mention here in detail were evident throughout the Panorama documentary and the related reports. These included:

– Conflicting and contradictory accounts.

– A “victim” who appeared to be grinning.

– Implausible demeanours of alleged victims.

– Questions as to the authenticity of the alleged burns to victims by experienced doctors.

– Apparent choreographed behaviour.

– Unconvincing injuries.

– Testimonies that challenged the BBC version of events.

I attended Robert Stuart’s most recent public presentation of his findings in London which can be viewed here

Saving Syria’s Children made reference to two British female doctors, Rola Hallam a ‘volunteer’ for the ‘charity’ Hand-in-Hand-for Syria, and (former?) BBC TV presenter, Saleyha Ahsan.

Dr Rola’s father, Dr Mousa al-Kurdi, is a senior Syrian opposition member, while her on-site colleague, Dr Ahsan, is a former captain in the British Army Medical Corps. All of this information was hidden from the public by the BBC.

The British state broadcaster has not addressed any of the legitimate issues raised by Stuart. All of the anomalies and contradictions highlighted call into question the authenticity of the entire alleged attack.

The researcher has presented his findings in open public forums on numerous occasions and has not been threatened, legally, with any injunctions or forms of legal redress which would almost certainly have been the case had the allegations been false.

Most recently, Stuart has argued, convincingly, that Pannell and Conway were given protection by the ISIS-affiliated Salafist terror group, Ahrar al-Sham. On 22 November, 2017, Stuart reported the activities of Pannell and Conway – that amounted to colluding with executioners – to Britain’s National Counter Terrorism Security Office.

Not only is it shocking that the British public helped fund the production of anti-Syrian government propaganda in the form of Saving Syria’s Children, but that they also inadvertently helped support an Islamist terrorist protection racket to enable this to happen.

It appears to be increasingly clear that BBC licence fee money was used to allow the safe passage of Pannell and Conway to and from the location where Saving Syria’s Children was being filmed.

The actions of the BBC are not only inexcusable, but they have the potential to pose a serious risk to national security and to further undermine what little remains of the trust the public has in the national state broadcaster to report accurately and objectively on issues of national importance.

It is clear that the BBC not only colluded in the production of false UK government propaganda intended to influence a vote in parliament to commit British troops to Syria in yet another illegal war, but that they did so by engaging in a sophisticated and well-planned series of events that involved the active participation of Islamist terrorists and their sympathizers.

While the UK foreign office and high-ranking government ministers are eager to publicly condemn terrorist atrocities committed against UK citizens on British soil, what has not been widely acknowledged is the extent to which the British state is complicit in furthering the terrorists objectives in Syria. This has serious potential implications for all UK citizens in terms of helping to facilitate ‘blow-back’ on the streets of our towns and cities.

Evidence produced from independent journalists like Vanessa Beeley, Eva Bartlett and others who have exposed the nefarious activities of UK-funded ‘humanitarian’ organisations like the White Helmets and Hand in Hand, add to accusation that the role of the BBC is that of a propaganda conduit for UK imperial power in the countries these groups operate. After having studied Robert Stuart’s analysis in detail, it is difficult to arrive at any other conclusion.

If you’ve enjoyed reading this or another posting, please consider making a donation, no matter how small. I don’t make any money from my work, and I’m not funded. You can help continue my research and write independently.… Thanks!

 

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